White House Down Movie Review 0 914

White House Down movie review

Armageddon and Deep Impact. Volcano and Dante’s Peak. Mirror Mirror and Snow White and the Huntsman. These are just a few examples of times when two very similar Hollywood movies have come along roughly at the same time, one usually stealing the thunder of the other by managing to get into cinemas first.

Such is the case with White House Down, which was preceded by a frankly far better attack on the eponymous building blockbuster in the form of Olympus Has Fallen. While that wasn’t necessarily the greatest film in the world, it at least had some edginess to it in its portrayal of violence and the “what if this really happened?” scenario. White House Down feels altogether watered down in comparison and doesn’t really succeed as a throwaway piece of over-the-top cinema in its own right, either.

While on a tour of the White House with his daughter, US Capitol Police officer and would-be Secret Service agent John Cale (Channing Tatum) finds himself in the middle of an attack on the building. Managing to escape being just another hostage, John sets out to rescue the President (Jamie Foxx) and defend him from the group of highly-trained mercenaries.

White House Down isn’t what you would call subtle, which is no surprise considering it’s directed by one of the kings of cinematic destruction, Roland Emmerich, the man behind such films as Independence Day, The Day After Tomorrow and 2012. Its commitment to sheer bombast is something to be applauded and if you’re willing to go along with it, there’s some fun to be had for the first little while. Unfortunately that soon gets tiresome and it becomes clear that the film has nothing else up its sleeve except more and more meaningless deaths interspersed with CGI-laden carnage and cheesy patriotism.

But unlike Olympus Has Fallen, where people getting shot or stabbed actually felt half way visceral, the violence here is blasé and without a lick of impact, quickly becoming white noise for a plot that half-heartedly attempts to make itself politically relevant but never comes close to making the danger feel real. It’s very much on the same path that the Die Hard series has unfortunately found itself: a series of bombastic but disappointingly bloodless action set-pieces that sucks out the impact it might have otherwise had.

It features a cast largely wasted on thankless, nothing roles including the usual charismatic Tatum who is given a clichéd and rather dull central character, Maggie Gyllennhaal trying her best with her fair share of shonky governmental dialogue that lands on the ears like clattering pans and Jamie Foxx as the President himself, who seems more interested in his designer sneakers than he does protecting the nuclear launch codes. In the same way as Air Force One, there’s admittedly something fun about the film’s particular portrayal of the President actually being able to handle himself under attack but the novelty only goes so far. And the supposedly quick-witted, one-liner heavy interplay between him and Tatum just feels forced and stilted, which is an issue when much of the movie focuses on them running around the building trying to figure out how to save the day.

Most of the actors seem to be playing characters that are outdated by about 20 years. That would be okay if the film was any sort of effective throwback to action cinema of the past but instead it approaches something akin to bad parody with more CGI than wit. The film isn’t without its sense of fun if you’re willing to go along with the utter ludicrousness of it but at a certain point it stops being dumb fun and just becomes dumb, trudging on with more meaningless action until it finally gives up the game. It just goes to show that throwing a huge budget at an action movie doesn’t automatically make it entertaining.

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I'm a freelance film reviewer and blogger with over 10 years of experience writing for various different reputable online and print publications. In addition to my running, editing and writing for Thoughts On Film, I am also the film critic for The National, the newspaper that supports an independent Scotland, covering the weekly film releases, film festivals and film-related features. I have a passion for all types of cinema, and have a particular love for foreign language film, especially South Korean and Japanese cinema. Favourite films include The Big Lebowski, Pulp Fiction and 2001: A Space Odyssey.

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Tolkien Biopic to Be Released in May 0 5286

10th May, 2019 is when Tolkien will be released to the world, an autobiographical film that will revolve around the early days of legendary author J.R.R. Tolkien before he became the literary giant that he is today.

Here on Thoughts on Film we are big fans of his work and the recent films made by Peter Jackson. The Hobbit and The Lord of the Rings (LOTR), are responsible for originating a universe that has gone on to inspire movies, animation, fiction, and modern media interpretations.



This is why Tolkien is regarded by many as the greatest fantasy author of all time. His creative stamp can be seen nearly everywhere in modern media. There’s the direct reinterpretation of his work in the recently released action roleplaying game Middle Earth: Shadow of War, where players are thrust into a major role in Tolkien’s literary canon. George R.R. Martin, who originated the now globally-popular Game of Thrones series on HBO, openly reveres LOTR as the inspiration for his work, citing the early death of Gandalf in Fellowship of the Ring as having a profound effect on his “own willingness to kill characters at the drop of a hat.” On the web, more Tolkien-inspired work can be found on leading slot portal Slingo and its many online titles dedicated to the fantasy genre, including Amazon Queen, Fae Legend Warrior, and Magic Castle, all of which feature elements that can be traced back to the author’s massive body of work. Technically speaking, the same can be said of nearly every major fantasy brand out there today, from Dungeons & Dragons to Magic: the Gathering. In short, almost every type of entertainment that features western fantasy can be traced back to the works of Tolkien.

In the upcoming Tolkien movie, the man will be played by Nicholas Hoult, whom is best known for Mad Max: Fury Road and Hank McCoy in the most recent X-Men movies. And now, the actor’s versatility will be tested as he steps into the shoes of the most iconic fantasy writer of all time. Starring alongside Hoult will be the actress Lily Collins as Edith Bratt – the woman whom Tolkien loved above all and is reportedly the inspiration for all “elven princess characters” in the LOTR series.

Helming the film is director Dome Karukoski whose CV includes 2017’s Tom of Finland, a critically acclaimed chronicle of the life and works of the controversial artist of the same name. And while media outlets haven’t yet heard from either the cast, director, or crew of the film, an official synopsis of the movie has been released via Collider. “Tolkien explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of World War I, which threatens to tear the “Fellowship” apart. All of these experiences would inspire Tolkien to write his famous Middle-earth novels.” It sounds like a real treat for film, literature, and Middle Earth fans.

Feature: 2019 Oscar Predictions 0 4030

I think it’s fair to say that the run up to this year’s Oscars has been a little messier than usual, from unexpected and bizarre wins at other awards shows (Vice winning Best Editing at the BAFTAs, anyone?) to ridiculous decisions by the Academy to change the show around.

The latter has proved a particular point of contention with both those in the industry to onlookers on social media, with choices such as not letting all the songs be performed to introducing a Best Popular Film category (whatever that means) to not airing four categories live; Editing and Cinematography proved a particular issue, sending the folks of Film Twitter into a Hulk-like rage.

Thankfully all of these decisions except for the one to not have a main host have taken the walk-back of shame; I look forward to Clint Eastwood talking to an empty chair again. Of course there’s still the issue of plenty of thoroughly deserving films, filmmakers and performances not being up for any Oscars at all (*cough* Toni Collette! *cough*) but of course that’s not an issue unique to this year.

The show must go on, as they say, and I thought a week out from this year’s ceremony I’d throw my hat into the ring as far as predictions goes. Below I’ve listed what I think will win in each category, as well as what I personally would like to see pick up that little gold man come next Sunday evening.

Best Picture

Want to win: A Star is Born
Will win: Green Book

Lead Actor

Want to win: Bradley Cooper (A Star is Born)
Will win: Rami Malek (Bohemian Rhapsody)

Lead Actress

Want to win: Olivia Colman (The Favourite)
Will win: Olivia Colman (The Favourite)

Supporting Actor

Want to win: Richard E. Grant (Can You Ever Forgive Me?)
Will win: Mahershala Ali (Green Book)

Supporting Actress

Want to win: Emma Stone (The Favourite)
Will win: Regina King (If Beale Street Could Talk)

Director

Want to win: Alfonso Cuarón (Roma)
Will win: Alfonso Cuarón (Roma)

Animated Feature

Want to win: Spider-Man: Into the Spider-Verse
Will win: Spider-Man: Into the Spider-Verse

Adapted Screenplay

Want to win: BlacKkKlansman
Will win: BlacKkKlansman

Original Screenplay

Want to win: First Reformed
Will win: The Favourite

Cinematography

Want to win: Roma
Will win: Roma

Documentary Feature

Want to win: Free Solo
Will win: Minding the Gap

Foreign Language Film

Want to win: Roma
Will win: Roma

Film Editing

Want to win: BlacKkKlansman
Will win: Bohemian Rhapsody

Sound Editing

Want to win: A Quiet Place
Will win: Bohemian Rhapsody

Sound Mixing

Want to win: A Star is Born
Will win: Bohemian Rhapsody

Production Design

Want to win: Roma
Will win: The Favourite

Original Score

Want to win: If Beale Street Could Talk
Will win: Black Panther

Original Song

Want to win: Shallow (A Star is Born)
Will win: Shallow (A Star is Born)

Makeup and Hair

Want to win: Mary Queen of Scots
Will win: Vice

Costume Design

Want to win: Black Panther
Will win: The Favourite

Visual Effects

Want to win: Avengers: Infinity War
Will win: Ready Player One

Animated Short

Want to win: Bao
Will win: Bao

Live Action Short

Want to win: Marguerite
Will win: Marguerite

Documentary Short Subject

Want to win: Black Sheep
Will win: Lifeboat

Do you agree? Disagree? Feel free to leave your predictions/wishes for the winners below or tweet @TOF_UK or @rosstmiller.

Roll on Sunday!