The Rover Movie Review 1 1561

the-rover-movie-review

Australian director David Michôd made his feature length directorial debut back in 2010 with the uncompromising and powerful Animal Kingdom, instantly proving himself one to watch for the future. Now he’s back with The Rover, a bleak and violent tale of retribution, solidarity and redemption that proves Michôd isn’t just a one-trick pony.

Set, as the opening titles informs us, “10 years after the collapse,” the plot follows Eric (Guy Pearce), a mysterious loner who one day has his only real possession, his car, stolen by a gang of criminals. He then sets off to hunt them down but soon crosses paths with the brother (Robert Pattinson) of one of the thieves, the two of them forming an uneasy and unlikely friendship along the way.

Playing out like a cross between his own Animal Kingdom and fellow Aussie director John Hillcoat’s The Road and The Proposition, Michôd’s film is tense and gripping from the off. We are immediately intrigued by Pearce’s Eric and the film does a great job of drawing us into his character and making us want to find out more about his past and his motivations. Pearce plays him with steely-eyed intensity, grizzled and grimacing, his bite worse than his already menacing bark as he charges his way through a harsh landscape to get the ones who wronged him. It’s basically a two-man show for most of it between him and Robert Pattinson’s criminal-turned-hostage, twitching and barely literate with a Southern drawl, a far cry from his days as a sparkling vampire. The two of them give admirably committed performances that add to the realism of the film.

Why exactly Eric cares so much about his car is part of the film’s mystery – “What a thing to get worked up about in this day and age,” states one of the people he meets on his journey – and how much you’re invested in that why and Eric’s character in general will determine how much you ultimately get out of the film. It’s not a film of abundant explanation – it’s never really clarified what exactly “the collapse” was – with dialogue and action as sparse as the landscape in which it’s set and a nihilistic outlook that’s hard to outright like.

But Michôd isn’t exactly going for likeability and the film benefits from not having someone in there just for the sake of the audience having a nice character to hold onto. Michôd employs a skilful control of tone and atmosphere, conjuring a palpable sense of dread about what’s around the next corner. And the fact that not that much happens for long stretches of time only makes the moments of graphic violence all the more shocking.

The Rover is a film of loud gunshots and deafening silences, sometimes unbearably tense and always crushingly bleak to leave no mistake that this is a living, breathing, dangerous post-apocalyptic world. The ending will split audiences, for some a weak punchline of a destination that doesn’t warrant the journey but for me it added an effective full stop to a gritty, powerful, deliberately paced thriller.

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I'm a freelance film reviewer and blogger with over 10 years of experience writing for various different reputable online and print publications. In addition to my running, editing and writing for Thoughts On Film, I am also the film critic for The National, the newspaper that supports an independent Scotland, covering the weekly film releases, film festivals and film-related features. I have a passion for all types of cinema, and have a particular love for foreign language film, especially South Korean and Japanese cinema. Favourite films include The Big Lebowski, Pulp Fiction and 2001: A Space Odyssey.

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Tolkien Biopic to Be Released in May 0 4960

10th May, 2019 is when Tolkien will be released to the world, an autobiographical film that will revolve around the early days of legendary author J.R.R. Tolkien before he became the literary giant that he is today.

Here on Thoughts on Film we are big fans of his work and the recent films made by Peter Jackson. The Hobbit and The Lord of the Rings (LOTR), are responsible for originating a universe that has gone on to inspire movies, animation, fiction, and modern media interpretations.



This is why Tolkien is regarded by many as the greatest fantasy author of all time. His creative stamp can be seen nearly everywhere in modern media. There’s the direct reinterpretation of his work in the recently released action roleplaying game Middle Earth: Shadow of War, where players are thrust into a major role in Tolkien’s literary canon. George R.R. Martin, who originated the now globally-popular Game of Thrones series on HBO, openly reveres LOTR as the inspiration for his work, citing the early death of Gandalf in Fellowship of the Ring as having a profound effect on his “own willingness to kill characters at the drop of a hat.” On the web, more Tolkien-inspired work can be found on leading slot portal Slingo and its many online titles dedicated to the fantasy genre, including Amazon Queen, Fae Legend Warrior, and Magic Castle, all of which feature elements that can be traced back to the author’s massive body of work. Technically speaking, the same can be said of nearly every major fantasy brand out there today, from Dungeons & Dragons to Magic: the Gathering. In short, almost every type of entertainment that features western fantasy can be traced back to the works of Tolkien.

In the upcoming Tolkien movie, the man will be played by Nicholas Hoult, whom is best known for Mad Max: Fury Road and Hank McCoy in the most recent X-Men movies. And now, the actor’s versatility will be tested as he steps into the shoes of the most iconic fantasy writer of all time. Starring alongside Hoult will be the actress Lily Collins as Edith Bratt – the woman whom Tolkien loved above all and is reportedly the inspiration for all “elven princess characters” in the LOTR series.

Helming the film is director Dome Karukoski whose CV includes 2017’s Tom of Finland, a critically acclaimed chronicle of the life and works of the controversial artist of the same name. And while media outlets haven’t yet heard from either the cast, director, or crew of the film, an official synopsis of the movie has been released via Collider. “Tolkien explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of World War I, which threatens to tear the “Fellowship” apart. All of these experiences would inspire Tolkien to write his famous Middle-earth novels.” It sounds like a real treat for film, literature, and Middle Earth fans.

Feature: 2019 Oscar Predictions 0 4022

I think it’s fair to say that the run up to this year’s Oscars has been a little messier than usual, from unexpected and bizarre wins at other awards shows (Vice winning Best Editing at the BAFTAs, anyone?) to ridiculous decisions by the Academy to change the show around.

The latter has proved a particular point of contention with both those in the industry to onlookers on social media, with choices such as not letting all the songs be performed to introducing a Best Popular Film category (whatever that means) to not airing four categories live; Editing and Cinematography proved a particular issue, sending the folks of Film Twitter into a Hulk-like rage.

Thankfully all of these decisions except for the one to not have a main host have taken the walk-back of shame; I look forward to Clint Eastwood talking to an empty chair again. Of course there’s still the issue of plenty of thoroughly deserving films, filmmakers and performances not being up for any Oscars at all (*cough* Toni Collette! *cough*) but of course that’s not an issue unique to this year.

The show must go on, as they say, and I thought a week out from this year’s ceremony I’d throw my hat into the ring as far as predictions goes. Below I’ve listed what I think will win in each category, as well as what I personally would like to see pick up that little gold man come next Sunday evening.

Best Picture

Want to win: A Star is Born
Will win: Green Book

Lead Actor

Want to win: Bradley Cooper (A Star is Born)
Will win: Rami Malek (Bohemian Rhapsody)

Lead Actress

Want to win: Olivia Colman (The Favourite)
Will win: Olivia Colman (The Favourite)

Supporting Actor

Want to win: Richard E. Grant (Can You Ever Forgive Me?)
Will win: Mahershala Ali (Green Book)

Supporting Actress

Want to win: Emma Stone (The Favourite)
Will win: Regina King (If Beale Street Could Talk)

Director

Want to win: Alfonso Cuarón (Roma)
Will win: Alfonso Cuarón (Roma)

Animated Feature

Want to win: Spider-Man: Into the Spider-Verse
Will win: Spider-Man: Into the Spider-Verse

Adapted Screenplay

Want to win: BlacKkKlansman
Will win: BlacKkKlansman

Original Screenplay

Want to win: First Reformed
Will win: The Favourite

Cinematography

Want to win: Roma
Will win: Roma

Documentary Feature

Want to win: Free Solo
Will win: Minding the Gap

Foreign Language Film

Want to win: Roma
Will win: Roma

Film Editing

Want to win: BlacKkKlansman
Will win: Bohemian Rhapsody

Sound Editing

Want to win: A Quiet Place
Will win: Bohemian Rhapsody

Sound Mixing

Want to win: A Star is Born
Will win: Bohemian Rhapsody

Production Design

Want to win: Roma
Will win: The Favourite

Original Score

Want to win: If Beale Street Could Talk
Will win: Black Panther

Original Song

Want to win: Shallow (A Star is Born)
Will win: Shallow (A Star is Born)

Makeup and Hair

Want to win: Mary Queen of Scots
Will win: Vice

Costume Design

Want to win: Black Panther
Will win: The Favourite

Visual Effects

Want to win: Avengers: Infinity War
Will win: Ready Player One

Animated Short

Want to win: Bao
Will win: Bao

Live Action Short

Want to win: Marguerite
Will win: Marguerite

Documentary Short Subject

Want to win: Black Sheep
Will win: Lifeboat

Do you agree? Disagree? Feel free to leave your predictions/wishes for the winners below or tweet @TOF_UK or @rosstmiller.

Roll on Sunday!